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French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.

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The french police is puzzled by strange deaths caused by a plant growing out of the stomach of the victims which finally appeared to be aliens.

In 2019, the director Leos Carax proposes to Estelle Charlier and Romuald Collinet to design, make and animate "Annette", the puppet of his new film. This one will be the child of the couple Marion Cotillard and Adam Driver. Propelled into the world of cinema, begins for this charismatic duo a unique and singular adventure in their career as puppeteers. Faced with the demands of the filmmaker, the impossible, they are held.

“A year ago, someone asked me to contact a deceased person. This person had taken part in several editions of the Eyriac vogue (in Lussas). The visions [of this festival] are always very pleasant and [they make me] want to spend more time with these people. In other words, the Eyriac vogue continues to exist day and night, without end.” – Anonymous testimony taken from the film. Second episode of a documentary series made from a collection of local amateur archives.

《虚拟时间漫游者》是一部富有诗意且极具实验性的纪录片，它传承了法国导演Chris Marker经典作品《太阳消失的日子》（Sans Soleil直译为“没有太阳”，这里意译为“太阳消失的日子”）的血脉。影片采用拼贴式的非线性叙事手法，搭配着如呓语呢喃般的神秘女声，对记忆认知进行辩证思考，尝试定义时空，解构既定知识，深入探讨后现代社会中人类面对数字化发展所产生的各种去中心化、断裂性和不确定性现象。 电影的设定十分大胆，它从网络视角来审视人类生活。导演尝试设定一个“意识”，让其从错综复杂的网络系统中苏醒，并不断提出关于存在的重大问题，其中还蕴含着庄子“汝安知鱼乐”的东方哲理。回到问题的原点，科技究竟是未来文明的殿堂，还是会让人如蝼蚁般深陷数字编织的诱人罗网，最终困于迷宫般的墓地之中？ 本片运用蒙太奇手法营造出虚无的情境，构建抽象的语义，仿佛是《超体》（《露西》一般这样意译）、《云端情人》的哲学提问与探讨科技主宰人性的黑色小品《黑镜》的混搭。在这个个人行踪被大数据掌握的时代，看完这部影片，或许你对待手机的方式都会随之改变。此外，本片还利用虚实交映的手法采访了未来主义学者Raym...

该组织成立于1970年，试图通过武装斗争建立一个“革命”国家，并使意大利退出北大西洋公约组织。20世纪70年代和80年代初，“红色旅”因通过破坏活动、银行抢劫、绑架和谋杀等暴力手段来扰乱意大利局势而声名狼藉。“红色旅”的效仿对象包括……